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Badgers
I’ve been watching over this same badger sett for some 20 years now and have watched and photographed badgers there every year, bar 2. It’s in private woodland so they get very little disturbance, albeit they are just 10 metres from the edge of a field, occasionally used by dog walkers and others taking a short-cut home from work, but generally speaking it’s pretty quiet. 10 years ago I constructed a platform, alongside an old oak where I could get a much better view of this huge sett and of it’s entrance/exit holes. I built it out of dexion and with the sett in a bowl, it gave me an almost eye-level view of them and being a few feet above the top hole also had the advantage of watching without worrying about the wind direction as although they have poor eyesight, their hearing and sense of smell is incredibly acute. With the sett west facing and in a relative clearing, it was quite bright when they emerged which was often around 7.45pm. My window of opportunity however would only last for around 6 weeks, until the end of May, when the trees would be in full leaf, leaving the sett too dark to work in.
Badger scratching
Until recently, the only choice I had in getting photographs of them was to use flash. I would clamp 2 units, a metre or so away from the camera (one as the main light source and the other, closer to the camera, as a fill-in, around 1 stop less than the main.) I would use Fuji Sensia 100 and from 11 feet use an aperture of f5.6, and this was using fairly powerful Metz hammerhead flash units! Unless the site was visited regularly, allowing the badgers to become accustomed to the flash, quite often I would get just one image as the badger would be spooked, only re-emerging when it felt safe enough to do so. But with digital, shooting at high iso’s is now possible with fantastic results and now means I can shoot up until half an hour after sunset. To keep them in view for as long as possible I sprinkled sultanas and raisins around the sett and on the main mound.
Badger emerging
I wouldn’t usually have attempted this kind of image, above, before digital as I felt I was putting too much stress on the animal to emerge, regardless of whether it felt ok to do so. This is especially the case during a dry summer, when they may need to travel distances to find food. However, on this occasion, it took no notice of me whatsoever. Afterall, I was obscured by camouflage netting, a good 2 meres above it’s hole.
I used a NIkon D300 either with a 300mm f2.8 or 70-200 f2.8 lens with iso’s ranging from 800 to 3200 but would, whenever possible use the lowest.
- Badger foraging
Come summer, I will be forced to work on another nearby sett and will again have to resort to flash.
But watching and photographing badgers isn’t just about badgers, it’s the experience of being in a woodland at sunset and into darkness when it really comes alive. Some of my most memorable experiences when photographing badgers haven’t involved badgers at all. I recall, 18 years ago when attempting to photograph a badger crossing a stream, in a remote Welsh valley, a buzzard flying low and fast and just a few metres away between pine trees. I could hear it move through the wind and as if once wasn’t enough, it did it again the following evening too. On that same night, a wren perched less than a metre away and sang. It was almost deafening. I remember watching a vixen move through the woods with a cub held by its scruff in her mouth and more recently, a tawny owl, perching less than 10 feet away, seemingly oblivious to my presence.
Getting low
With a fresh fall of snow forecast last week I thought I’d give my laying-down hide a whirl. I’d been using a standard hide over the last month with a good degree of success but now it was time to get a different perspective. Using this hide is always a challenge for two reasons. Firstly, it’s quite a hassle setting it up and secondly, it’s darn uncomfortable! But, and I stress the word but, the resulting images can be very rewarding which hopefully makes up for the discomfort endured.
Male blackbird
I use a modified bivvy-style tent with a lens opening sewn in as well as 2 side viewing panels with one-way mesh. I first put down a length of tarpaulin which the hide lays on to prevent sticks, stones, thorns etc penetrating the nylon and a large piece of camo netting is then draped over and guy-lines secured. A rubber-backed picnic blanket is placed inside to silence any sounds from within which also acts as an insulator and then a roll matt or self-inflating mattress is put on top of this. In order to support the camera I use a foot square piece of ply with tent pegs in each corner and a 3-way pan and tilt head attached to this. It’s a very secure and stable platform from which to work and slow shutter speeds are not a problem with this. I guess you could use a beanbag instead but then that restricts smooth movement of the camera. Very important when shooting shy birds. To complete the set-up I take in a cushion to support my chest and to prevent the inside of the hide getting messy, I take off my boots outside place them in a bag and they come in with me. See what I mean by hassle?! Needs must though and once inside, movements need to be kept to a minimum since there isn’t a great deal of room.
laying-down hide
There wasn’t quite as much snow as I would have liked. A few more centimetres would have given a better covering, providing a ‘cleaner’ ground.
Robin
I have worked like this a great deal over the years, photographing rabbits and waders amongst others, sometimes for periods exceeding 12 hours. The negatives are obvious. The positives are aside from the intimate perspective you create, wildlife becomes accustomed to this low profile way of working far quicker than with larger, more conventional hides.
Playing by the rules
On this day last year I fulfilled an ambition I had had for years, to photograph common buzzards in the wild, in Kent. Why? Well, up until 7-10 years ago they were quite a rare sight around these parts (North Downs) but over the years they have moved further and further east to a point that it’s unusual not to see one while out on the hills. There are now several hundred breeding pairs in Kent and I personally know of 3 nests which I am dying to work on over the coming years which will invariably require me to build a tree-top hide.
OK, so they are incredibly common in the west and north and hardly golden eagles but there is just something about them, the way they soar, their call…….. and as I visited my feeding station over the years to photograph woodland birds the desire would burn deeper and deeper to photograph this beautiful bird. I have access to a lot of land within their territory and so the previous October decided to commit the following six months to this project. But everything, and I mean everything had to be by the book. Birds of prey are notoriously shy and keen-eyed birds so unlike a blue tit at a nut feeder where you can come and go from your hide without them so much as batting an eyelid, with buzzards, in this part of the world, not a chance!
The following was then carried out.
* 5′ sq wooden hide erected at site under cover of darkness so buzzards didn’t associate it with humans.
* Hide left alone for several weeks.
* Stockpile of road-kill rabbits stored in freezer. Thanks Martina!
* December. Once a week. Rabbit put down pre-dawn in front of hide. At night, if rabbit not devoured by birds, was taken and put up tree to stop foxes taking it. Put back down following morning…….
* Wait for hard weather to commence photography
In mid January we had hard frosts lasting a couple of weeks so I took the opportunity to get some shots. I entered the hide 2 hours before sunrise. 11 hours later one arrived and fed but the light was poor. It got terribly cold in the hide, very rarely going above freezing. I would therefore occasionally ignite the stove for a few minutes, wrap a blanket around me and wear a balaclava. Winter, neoprene lined boots made by Le Chameau helped keep my feet warm (though they froze after 5 hours). I tried again a few days later and this time one appeared in good light but something was missing….snow!
Then, at the end of January we had heavy snow with poor visibility lasting for several days. I needed a break in the weather to entice the buzzard’s from where they had been sheltering from the terrible weather. I then had the forecast I’d been waiting for. A clear day, blue sky all the way. Perfect! This would surely tempt them out to look for food. I got everything ready the night before and woke at 3. With all the snow I knew it was going to be tough driving and there was no guarantee that I would reach the hide. I gingerly made my way to the spot where I needed to park the car but first there was a hill to get up. I had a bit of a run-up but the Mondeo only made it half way. Four attempts later it got me to the top. When I reached the hide, there was over 18 inches of snow. I staked the rabbit down (this is to avoid it being carried off), set up everything in the hide, took snacks out of wrappers (to avoid noise) and sat back waiting for light.
Then, at about 10 o clock one arrived and fed for over 30 minutes. It took my breath away to be this close (15m) and knowing that all the hard work had not been to avail. I got the low angle by using a ground-pod pushing the lens through a sleeve about 6 inches above the ground. I had installed one-way glass so I could see clearly outside without being seen.
Several hours passed and then an immature bird turned up and just like the one previous, spent around 30 minutes feeding, oblivious to the photographer, who at this point, was the happiest man on the planet!
To see a video of what I saw please click here. It was filmed on my point-and-shoot camera so please forgive the rather poor quality.
All images were taken using a Nikon D2x with 300mm f2.8 and 1.4x converter (sometimes without) with right-angle finder attached. I ached for days having spent several hours with my head between my legs peering through this!
Of all the projects I have undertaken this has certainly been the toughest but without question the most satisfying. Hamilton Holt’s quote comes to mind….”Nothing worthwhile comes easily. Work, continuous work and hard work , is the only way to accomplish results that last.”
About Robert Canis
Robert Canis is a professional photographer specialising in the natural world.
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