technique
Getting low
With a fresh fall of snow forecast last week I thought I’d give my laying-down hide a whirl. I’d been using a standard hide over the last month with a good degree of success but now it was time to get a different perspective. Using this hide is always a challenge for two reasons. Firstly, it’s quite a hassle setting it up and secondly, it’s darn uncomfortable! But, and I stress the word but, the resulting images can be very rewarding which hopefully makes up for the discomfort endured.
Male blackbird
I use a modified bivvy-style tent with a lens opening sewn in as well as 2 side viewing panels with one-way mesh. I first put down a length of tarpaulin which the hide lays on to prevent sticks, stones, thorns etc penetrating the nylon and a large piece of camo netting is then draped over and guy-lines secured. A rubber-backed picnic blanket is placed inside to silence any sounds from within which also acts as an insulator and then a roll matt or self-inflating mattress is put on top of this. In order to support the camera I use a foot square piece of ply with tent pegs in each corner and a 3-way pan and tilt head attached to this. It’s a very secure and stable platform from which to work and slow shutter speeds are not a problem with this. I guess you could use a beanbag instead but then that restricts smooth movement of the camera. Very important when shooting shy birds. To complete the set-up I take in a cushion to support my chest and to prevent the inside of the hide getting messy, I take off my boots outside place them in a bag and they come in with me. See what I mean by hassle?! Needs must though and once inside, movements need to be kept to a minimum since there isn’t a great deal of room.
laying-down hide
There wasn’t quite as much snow as I would have liked. A few more centimetres would have given a better covering, providing a ‘cleaner’ ground.
Robin
I have worked like this a great deal over the years, photographing rabbits and waders amongst others, sometimes for periods exceeding 12 hours. The negatives are obvious. The positives are aside from the intimate perspective you create, wildlife becomes accustomed to this low profile way of working far quicker than with larger, more conventional hides.
Playing by the rules
On this day last year I fulfilled an ambition I had had for years, to photograph common buzzards in the wild, in Kent. Why? Well, up until 7-10 years ago they were quite a rare sight around these parts (North Downs) but over the years they have moved further and further east to a point that it’s unusual not to see one while out on the hills. There are now several hundred breeding pairs in Kent and I personally know of 3 nests which I am dying to work on over the coming years which will invariably require me to build a tree-top hide.
OK, so they are incredibly common in the west and north and hardly golden eagles but there is just something about them, the way they soar, their call…….. and as I visited my feeding station over the years to photograph woodland birds the desire would burn deeper and deeper to photograph this beautiful bird. I have access to a lot of land within their territory and so the previous October decided to commit the following six months to this project. But everything, and I mean everything had to be by the book. Birds of prey are notoriously shy and keen-eyed birds so unlike a blue tit at a nut feeder where you can come and go from your hide without them so much as batting an eyelid, with buzzards, in this part of the world, not a chance!
The following was then carried out.
* 5′ sq wooden hide erected at site under cover of darkness so buzzards didn’t associate it with humans.
* Hide left alone for several weeks.
* Stockpile of road-kill rabbits stored in freezer. Thanks Martina!
* December. Once a week. Rabbit put down pre-dawn in front of hide. At night, if rabbit not devoured by birds, was taken and put up tree to stop foxes taking it. Put back down following morning…….
* Wait for hard weather to commence photography
In mid January we had hard frosts lasting a couple of weeks so I took the opportunity to get some shots. I entered the hide 2 hours before sunrise. 11 hours later one arrived and fed but the light was poor. It got terribly cold in the hide, very rarely going above freezing. I would therefore occasionally ignite the stove for a few minutes, wrap a blanket around me and wear a balaclava. Winter, neoprene lined boots made by Le Chameau helped keep my feet warm (though they froze after 5 hours). I tried again a few days later and this time one appeared in good light but something was missing….snow!
Then, at the end of January we had heavy snow with poor visibility lasting for several days. I needed a break in the weather to entice the buzzard’s from where they had been sheltering from the terrible weather. I then had the forecast I’d been waiting for. A clear day, blue sky all the way. Perfect! This would surely tempt them out to look for food. I got everything ready the night before and woke at 3. With all the snow I knew it was going to be tough driving and there was no guarantee that I would reach the hide. I gingerly made my way to the spot where I needed to park the car but first there was a hill to get up. I had a bit of a run-up but the Mondeo only made it half way. Four attempts later it got me to the top. When I reached the hide, there was over 18 inches of snow. I staked the rabbit down (this is to avoid it being carried off), set up everything in the hide, took snacks out of wrappers (to avoid noise) and sat back waiting for light.
Then, at about 10 o clock one arrived and fed for over 30 minutes. It took my breath away to be this close (15m) and knowing that all the hard work had not been to avail. I got the low angle by using a ground-pod pushing the lens through a sleeve about 6 inches above the ground. I had installed one-way glass so I could see clearly outside without being seen.
Several hours passed and then an immature bird turned up and just like the one previous, spent around 30 minutes feeding, oblivious to the photographer, who at this point, was the happiest man on the planet!
To see a video of what I saw please click here. It was filmed on my point-and-shoot camera so please forgive the rather poor quality.
All images were taken using a Nikon D2x with 300mm f2.8 and 1.4x converter (sometimes without) with right-angle finder attached. I ached for days having spent several hours with my head between my legs peering through this!
Of all the projects I have undertaken this has certainly been the toughest but without question the most satisfying. Hamilton Holt’s quote comes to mind….”Nothing worthwhile comes easily. Work, continuous work and hard work , is the only way to accomplish results that last.”
Winter on the marshes
The weather over the last week has been dreadful here in north Kent. Ok, so snow makes the country grind to a halt but at least it offers possibilities for strong images but when it’s just blanket grey (sigh) what can you do? Well, I edit images and prepare them for the agent but eventually you just scream for sun! I went out at first light this morning hoping for some sunrise shots and the forecast promised a bright day. Well if it did happen, it certainly wasn’t anywhere near me! I did get my sunrise shots however and it was nice but it lasted all of 10 minutes and then the cloud rolled over. So I thought I’d dig out a few images from 3 weeks ago when the light was a little more interesting.
Around two months ago I secured permission from the Environment Agency to access their land which connects to a local nature reserve. It now means rather than getting so far on the reserve then having to turn back, I can now do a loop as it were. If only there wern’t so many gates! It was a bitterly cold afternoon, the ground was solid and the sky was clear. I had spotted this hawthorn some while back and waited for the right conditions in which to illustrate it within its habitat rather than a straight silhouette.
I know what you're thinking, the horizon's not straight! Well, if you use a wide angle lens and keep the camera level this is what happens.
As I drove slowly back across the marsh, light lingered in the sky and as I passed a clump of teasel I thought I would try something a little different. I enjoy this kind of work, mixing flash with daylight and always use off-camera flash to give the subject modelling. On this particular instance, with an exposure of 1 second at f8 and the flash set to Auto f8 (not TTL), I set the camera to self timer, walked around to the right then manually set off the flash when the shutter opened.
Birds at last!
In my previous post I mentioned how slow the birds were in coming to the feeding station I had prepared for the last 6 weeks. This was obviously due to the mild weather and there being plenty of food in the woods and fields to satisfy them. But with this sudden spout of cold weather they are now coming in in droves! Species so far as follows though not all photographed…blue tit, great tit, coal tit, marsh tit (pretty sure not willow), chaffinch, goldfinch (yes!) robin and great-spotted woodpecker.
Tuesday was my first attempt. I positioned the two feeders (one with nuts the other with niger seed) about 2m away from what I think is a blackthorn bush (sorry, I’m not totally sure…happy to hear from someone to put me right) and photographed them as they perched before going to the feeders. I often go for this way of working as opposed to placing perches for them to alight on since you get a variety of poses in one sitting. It also looks more natural I think since that is how we more often than not view them…flitting in and out and amongst hedges and trees. There are times however when I will strategically place perches particularly if I am after a clean background. It was a beautiful day and although the p ictures certainly looked punchy and colourful, the light just seemed too harsh and the images lacked ’soul’.
blue tit
I decided therefore to use a technique I’ve employed in the past when photographing plants which is to shoot either end of the day and while the subject is in shade the background is illuminated by the early morning/late afternoon sunlight. The effect is unusual but I have to say I like it quite a lot. You need to use a wide aperture to really throw the background out of focus and there is just a small window of opportunity before the light on the background becomes too harsh. I arrived shortly after sunrise and once settled the birds began to perch and feed giving me just enough time before the sun illuminated the bush.
I also went this afternoon and obtained more images, yes even more blue tits! But the highlight was at around 3 o clock a common buzzard flew within 4m of the hide and perched in an oak tree just feet above me. It was so close that as it flew towards me I thought at one point it was going to join me in the hide!
Autumn stroll
The last week has been a complete wash-out, photographically. I don’t need glorious wall to wall sunshine to feel inspired but a glimmer would be nice! Even on the dreariest of days I force myself out, even if it’s just to give me a break from the computer. I’m quite lucky in that I can hop in my car and in less than 10 minutes be in woodland. It’s good for the soul and always gives me inspiration for new images. It’s also important as a nature photographer I think to keep regular contact with what’s going on out there. This is particularly true in the spring when it seems that each day something new appears, whether it be a bird or a flower.
I’ve had a bird feeding station set up in a local woodland for the last 6 weeks but hardly anything is turning up at the moment, a testament to the mild weather we have been experiencing of late. I understand it’s due to change in the next few days. I’m hoping for goldfinches this winter and with niger seed feeder in situ I have my finger’’s crossed that they notice it.
The image below is a reminder of the wonderful autumn we had here in Kent. I went out one afternoon for a stroll to some private woods I have access to and as usual took my kit with me. Leaving it at home only means one thing…that a great photo opprtunity will be missed! As it turned out I had quite a productive few hours, shooting some tiny mycena sp. fungi amongst others and this. I liked the feeling it gave of being at a junction. Left for the woods or right along a hard track. You can guess which path I chose! The colours, light and depth cried out to be shot as a panoramic. One of the most useful pieces of kit that I have purchased over the last 18 months is a camera leveller made by Acrotech. Having read various reviews I opted for this model and have found it to be indispensable for this kind of work. It’s beautifully made and makes levelling the camera a breeze. They were then stitched using PTGui.
About Robert Canis
Robert Canis is a professional photographer specialising in the natural world.
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