photography
20 years of lecturing
I have been giving talks for many years now on nature and wildlife photography. Infact, my first one was some 20 years ago to the Swale Group of the Kent Wildlife Trust. Since then I have, easily, given in excess of 400 to all manner of clubs and societies throughout England in the autumn and winter months, ranging from gardening societies and WI’s to the RPS and National Trust. I just love communicating, whether it be about wildlife in general or nature photography. Typically, at some point, I’ll digress as I recall a particular moment while out in the countryside watching and photographing, a funny (to me, at least) story or get on my soapbox and have a moan or two about current issues, not least the proposed airport on the Thames Estuary…..Grrrrr!! But this, I feel (and hope) gives the talk a personal touch. Otherwise I may as well hand out scripts for the audience to read as I move from one image to another.
It goes without saying that you need to structure a talk, particularly if it is about a certain area but, I have to say, the one I enjoy most is that which I came up with after returning year upon year to the same clubs which were, as a result, rapidly exhausting my portfolio. The title I have given it is “Bob’s Best of the Year.” It does what is says on the tin. A selection of my favourite images taken over the last year (to 18 months!). It not only gives the audience something different every year but, from a personal perspective, it allows me the opportunity to review my own work taken over that period. As photographers we tend to go from one subject or project to another and rarely look back at what we have achieved and, dare I say it, even pat ourselves on the back for a job well done. Nothing wrong with a little self gratification!
Ultimately, it is the response of the audience either during or after that keeps me on the lecture circuit, particularly if members come up during the interval or afterwards to comment on how much they enjoyed it or to ask questions. As I said, at the beginning, I just love communicating and so, if after a talk, I have enthused or inspired a member of the audience to try their hand at a field of photography they hadn’t yet considered or made others think that actually, it’s not just a piece of marsh with sheep on it and that it REALLY is worth conserving, then I shall remain on that treadmill for many, many years to come. That is, if they sill want me!
Below are just a few letters I have received over the years and, if you belong to a club and are on the lookout for a speaker, then why not get in touch.
On behalf of the Clacton Camera Club a very BIG THANK YOU for coming all this way and giving your lecture and showing so much of your work. I think and hope you could tell by the atmosphere, chatter and enthusiasm of your audience what an excellent evening you gave us. I am sure we will be talking about you and your images for many weeks to come. The evening seemed to go all too quickly, and we have had many phone calls thanking us for the evening, an evening which you made special.
Jean Pain, Programme Secretary, Clacton Camera Club
Many thanks for coming along yesterday and speaking to the Croydon Group both in the afternoon and evening. Your talk on Wildlife of the North Downs went down very well and your photographs were superb. I understand we had a record turnout for both meetings! I hope you had a safe journey home and look forward to inviting you back at a future date.
Judith Dunworth, Indoor Meetings Organizer, RSPB Croydon Local Group
I would like to thank you very much for such an interesting talk entitled ‘Field Techniques in Nature Photography’ and I know members were impressed with the amount of information received on wildlife, as well as all the various tips on taking such wonderful photographs. I particularly like the hares! Many members were enthused about the evening and I was very pleased with the turnout – one of the best.
Margaret Rimmer, Secretary, EPIC (Eynsford Photographic Image Club)
Workshops and Tours for 2012
A whole host of new and exciting wildlife and landscape photography workshops and tours can now be found on my website here.
I’ll be replicating some that were very popular last year including the Bluebell Photography Walk, Heathland Sunrise and Kent’s Wildlfowers as well as amending the Lady Orchid workshop to make it a half-day instead of a full day which, as the Walks have proved, are both easier on the commitment (just 3 hours instead of 6) and pocket! 
Tours new for this year include Northern Gold – Lapland in Autumn, Bison of Bialowieza- Poland in Winter, Prague and South Bohemia in Autumn and Dark Peak Landscapes – Peak District in Autumn. Below is a brief description of each and the link to take you straight to that page. The lapland tour already has bookings and the Bison tour is proving particularly popular with the first of two dates in 2013 already fully booked. I’ll be leading a tour there in just three weeks and cannot wait to go back there! Thermals at the ready
Lapland in autumn
I have visited Finland 6 times now and in autumn twice and I have to say, this is my favourite time of the year here. The colours are just spectacular with the yellow of birch and aspen and vibrant red of northern bilberry. And, if this wasn’t enough to whet your appetite how does photographing the northern lights sound?! 2012 is The Year of the Northern Lights and should we have clear skies, there is a 50/50 chance of witnessing them and, of course, photographing them!
To find out more about this tour, click here.
Just 2 places remaining!
European Bison in Bialowieza forest, Eastern Poland.
Those of you that follow my blog may, or may not recall, the piece I wrote about my trip some years ago to photograph Europe’s largest mammal, the Bison or Wisent, in the primeval forests of Bialowieza. Well, in partnership with acclaimed Polish nature photographer Marek Kosinski, I shall be leading a 6 day photography tour to this amazing place with Marek as our guide. There is simply no-one better to guide us. Marek, who lives in Bialowieza itself, has been published worldwide, and received many honours.
To find out more about this tour, click here.
West Towers on Charles Bridge, Prague.
Over a period of 5 years, I visited Prague on no fewer than 50 occasions and several to Cesky Krumlov in South Bohemia, photographing for my agents and my own library, as well as providing articles for magazines, one of which was featured in Outdoor Photography. As a result, I know these two places extremely well and would hazard a guess there are few photographers more qualified to personally escort you around to photograph ‘The Golden City’ and the equally beautiful Cesky Krumlov.
To find out more about this tour, click here.
Peak District in Autumn
Over the last few years the Peak District has become my favourite location for landscape photography in the UK. Indeed, as a result of those images I took on my first visit, I had an article published in Outdoor Photography magazine and subsequently held 5 workshops to this region, such has been its impact.
The reason I am doing this workshop during the week and not a weekend is that some of the places we will be visiting are very popular. By holding it mid-week, we will have The Peaks to ourselves!
To find out more about this tour, click here.
I look forward to welcoming some of you along on either the workshops or tours and if you prefer to talk to me in person regarding these, do feel free to drop me a line on 07939 117570.
Winter Sunrise on the Marshes print
To say I am overwhelmed by the popularity of this image would be somewhat of an understatement! I put it up on 500px yesterday and already it has been viewed by 1600 people and counting! Thank you for all the nice comments and to the 111 that have added it to their favourites. Surprisingly, I hadn’t put it on my website within the galleries but, I have now where you have the opportunity of purchasing it as a fine art print.
To purchase one, please click on the image below which will take you to website gallery page.
Here’s a little background information. It was taken on Elmley Marshes National Nature Reserve in North Kent, an area I have been documenting for the last 15 years. Conditions such as this are not all that uncommon over there where, with the combination of freezing winter temperatures and fog, rime frost is formed and produces spectacular conditions in which to photograph. Having spotted the image I had to work quickly as the sun was rapidly rising and burning through the mist. With the camera secured to a tripod and set to its maximum height, I had to stand on tip-toe to prevent the fence posts from merging with the land.
Nikon D2x, 12-24mm @ 16mm, 1/15 sec. f16, iso 200, 0.9 ND grad filter, Manfrotto 055 tripod, mirror lock-up, cable release.
The image was used full page in an extensive article I wrote for Practical Photography magazine on Discover Winter Wetlands. The article can be viewed here.
Sunrise over Elmley Marshes
Autumn past
With autumn now past I thought I would share a few images I took over that period, in particular, during a walk around a nature reserve near Canterbury in Kent. The conditions were (as any photographer could wish for when shooting autumn colour in the woods) still, overcast and ever so slightly misty. Aside from the vegetation remaining perfectly still the soft light muted the colours and give it more of an autumn feel. The first subjects I came across were these fly agarics. Autumn came incredibly late this year and ordinarily these would have been showing at least a month earlier. As it turned out, it worked in my favour as the woodland colours were at their peak the same time as the mushrooms themselves! I have dozens of images in my library of this species but the two together were irresistible. I like to work in a methodical fashion when shooting plants, especially when encountering a new species as I then feel I have covered all the bases. I’ll start with one of two straight record shots then, possibly, a wide-angle and finally I’ll look for something unusual. An angle that had, perhaps, initially elluded me. Anyone that shoots these subjects will appreciate how time consuming it can be, especially the “gardening.” Taking out bright leaves and the like that detract from the subject.
Fly agaric mushrooms
Even though my tripod goes to ground level, it still wasn’t low enough to create the vantage point I wanted. Ordinarily I would have used a beanbag but Ididn’t have one with me on this occasion so I used what I had. Gloves, hat, filter case and a lens cap!
Nikon D300, 12-24mm @ 14mm, iso 200, 1/8 sec f16, tripod, mirror lock-up, angle-finder.
A little further on I came across this attractive little area of birch and bracken and spent the next while shooting a panoramic which consisted of 5 upright images stitched using PTgui software. One of the biggest problems encountered when doing this work is parallex error and unless you have a head which corrects this you will be restricted to the closest you can be be to the nearest point of focua. The one I use is made by Nodal Ninja. Beautifully engineered, lightweight and compact, it makes the whole process that much more enjoyable.
I ventured deeper into the woodland, off the beaten track, and there were pictures all around. The colours were breathtaking. The task was not as simple as I first thought, to make sense out of nature’s chaos!
Nikon D300, 70-200 @ 98mm, iso 200, 1/6 sec f8, tripod, mirror lock-up.
The sun threatened to burn through the mist but it never did. Sometimes, it would clear marginally, but mostly it remained so.
Another panoramic. Sometimes, there is no other format that will do the scene justice. In order to gain the perspective I was after (telephoto “stacking” effect) shooting with a wide-angle then trimming the top and bottom wouldn’t have achieved this so, several upright images stitched was the only answer. Quite a simple composition yet, typically me, I still managed to make a mountain out of a mole hill and spend close to an hour taking it. It’s a good job I work alone!
Parasol mushroom
The two below were taken in woodland in a nearby village. A break from the computer was in order and fortunately I live near such places. As the previous image, the panoramic format lent itself to the two scenes, especially the last one when mist becomes more pronounced the more you shoot through.
Beech tree in coppiced woodland.
With the marshes being but a short distance away, they are never far from my mind. Such a dry autumn resulted in dry marshes and the result is there were few birds within photographable range. That doesn’t stop me from going over there however and on a morning such as this, who can blame me!
Misty Moodiness
There is, in my opinion, no better place to blow the cobwebs away and relieve you of the daily stresses and strains, than a walk in the woods. Couple this with completely still, misty, ”golden” conditions and you have the perfect tonic. As a professional photographer, I am always on the look-out for exciting (commercial) images and occasionally lose touch with why I love nature photography so much. Those four hours I spent, a few days ago, wandering and losing myself in the intoxicating solitude, reminded me so and was one of the most rewarding forays I have ever had. Oh, and as I retraced my steps along that woodland path, a fox walked across it, right infront of me!
Donna Nook – Pro’s back down!
It’s no coincidence that those photographers who had planned on taking groups to photograph the seals at DN have backed down and this is in no small part to the stirling work of photographer, Peter Moonlight who brought this problem to light to the masses via his brilliantly written piece in Outdoor Photography last year. There needs to be more photographers like him who pursue something they care about and are prepared to name and shame since surely the best way of regulating (I hate to use that word but can think of no suitable other) wildlife photographers (and I say that loosely for some) is by self-policing. To see reaction to this and to read well constructed comments by leading pro’s, visit Niall Benvie’s blog here.
Donna Nook Statement
It’s getting to that time of year again when hordes of photographers descend upon a certain seal colony in Lincolnshire. A statement has been released (which makes for pretty convincing reading) linking it’s rise in popularity with an increase in pup mortality. And, going from many first-hand witness accounts, I can well believe it! You can read it on Terry Whittaker’s Blog here.
Grey seal, photographed at Donna Nook almost 20 years ago.
In an older blog post here I talked about how I was pretty much the only person there throughout my stay. I haven’t been back since and, quite frankly, I have no intention in doing so since it would only ruin a perfect memory.
So, how do we stop groups of photographers flouting the LWT’s request to stay behind the fence? Simple, don’t attend group workshops organised and led by those who will. In other words, all photographers that advertise seal photography workshops here since it is HIGHLY unlikely that, given the money that has been exchanged, that they would remain behind the fence as opposed to trudging off across the beach. I would personally like to see permit-only access where, each year, a lottery based permit system is drawn up where, for a fee, a certain amount of photographers/public are permitted to walk across the beach to the main seal colony. The money could then be put into the LWT’s pot. This would be beneficial to all concerned, not least the seals!
Photography workshops in Kent
I have just added 3 new workshops which can be viewed here on the workshops page on my website. They have only been up a short while and already places are being filled so if you’re interested, please get in touch soon. Below is an overview of those added.
Bluebell Photography Walk
Sunday May 1st – 10.00 to 13.00 hrs.
(Group size – 6. 4 places remaining)
To be held at Hucking Estate, a beautiful woodland near Maidstone. Ideal for those wishing to learn how to photograph plants, insects and woodland scenes. Suitable for beginners as well as the more experienced. £30
Kent’s Lady Orchids
Saturday May 14th – 14.00 to 18.00 hrs.
(Group size-6)
The location for this orchid photography workshop is a nature reserve near Garlinge Green, south of Canterbury. I’ll be covering such things as composition, lens selection, exposure and flash. Choice of time has been chosen to avoid the mid-day sun and benefit from the low, late afternoon sunlight. £45
Heathland Sunrise
Saturday August 20th and Sunday 21st – 04.30 to 07.30 hrs.
(Group size-3. 2 places remaining on each day)
Experience the vibrant colours of flowering heath at Kent’s largest heathland, Hothfield Heathlands, near Ashford, at sunrise. Suitable for those of all levels and as the group size is only 3, there’ll be no bustling for the best positions! This really is a time when the most atmospheric pictures are created where an early rise is well rewarded. I will go through my thought process when seeking a composition and the decisions I make when choosing the right lens along with using filters, obtaining the correct exposure and assessing the camera’s histogram. Dew laden cobwebs and dragonflies are other possible subjects £35
Kent’s Wildflowers
Wednesday May 4th – 09.00 to 18.00 hrs.
(Group size-2. 1 place remaining)
A full day of photography in mid and north Kent at various favourite locations hand-picked by myself. This is a great time to experience Kent’s ancient woodlands and Downs and the flowers it harbours. The group size has been kept to just 2 so we can all travel in my car and give you pretty much one-to-one tuition. The price also includes a pub lunch at a an award-winning pub run by a personal friend of mine. £125
As with all my workshops, the price includes unlimited correspondence before and after the day and email review of your images.
South Downs 1:1
A very enjoyable day yesterday was spent holding a one to one. We met at Alfriston then headed off in my car to several locations centered around the Cuckmere valley. The location was chosen as it gives a range of opportunities to illustrate techniques within a relatively small area. Total time spent from one location to another never exceeded 10 minutes. The picture below was taken to illustrate how to ’anchor’ the image. To give it foreground interest where your eye then leads through the frame to the distant cliffs. Without the rock it would have been rather uninteresting of just the beach, pebbles and cliffs. I then processed it in black and white since in colour I felt it was too monotone whereas in monochrome it brought out the textures and contrast of the chalk and seaweed.
Nikon D300, 12-24mm at 15mm, iso 200, 1/80th sec. f16, Manfrotto tripod. 2 exposures, one for the rock, the other for the sky then merged in Photoshop CS4. Using an ND Grad would have also darkened the cliffs.
About Robert Canis
Robert Canis is a professional photographer specialising in the natural world.
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