Workshops

Peak District

Just under 2 weeks ago I returned from a week in the Peak District, more specifically, the Dark Peak (northern) region, leading 3 workshops. A 2-day residential and 2 one-day workshops. Over all, we had good weather in that, prolonged spells of rain were absent. You never know what Mother Nature will throw at you here and, I guess, that is what draws me, and others like me, back there time and again. Also, as a “Southerner” it makes a welcome change from the flatness of North Kent! Don’t get me wrong, I absolutely adore photographing the North Kent Marshes, but everyone needs a change, right?!

Arriving 3 days prior to the first workshop gave me time to explore new locations and reacquaint myself with the familiar.

View from Baslow Edge at sunset

Sunrise. Higger Tor.

Sunrise from Higger Tor.

I stumbled upon this scene when returning to my B&B in Hathersage and, remember at the time, thinking it would make quite a pleasing black and white image.

Burbage Brook

Oak tree panorama

Last leaves of autumn

Whenever I lead workshops I rarely take pictures for my own purpose. Clients, after all, have paid me to spend time with them and be on hand whenever they require advice. I am forever amazed when told storied by guests of workshops they have attended where the photographer shows them how to set  up a picture then disappears, some distance away, to do their own photography or of a lottery system to decide who captures sunrise at the water’s edge and who stays in the minibus. Incredible!

Having led countless workshops over the last 20 years (with, and thank you all, a significant percentage returning) you do learn when to approach and when to leave alone. No-one wants someone looking over their shoulder all the time and as a tutor, it’s important you give the attendee time to explore and experiment and then for you to guide and advise. It is on these occasions that I keep my eyes open for an image that I can set up, leave to discuss something with a client and return again. More often than not, it will be a close-up or detail and the image, below, is a case in point.

Nikon D300, 28-105 @ 48mm, iso 200, 13 sec. f16, polarising and ND filter.

I came across this wonderfully picturesque scene when scouting new places to take my guests, prior to their arrival. It’s always a great feeling when you happen across such a location!

On the final morning of the 2-day workshop we were fortunate to have a very nice sunrise.

Sunrise over Curbar and Baslow Edge

That evening, with a relatively clear sky forecast, we headed to Higger Tor. Extremely strong winds forced us from our first-choice spot to the eastern end which provided a little more shelter. At least our tripods remained upright!

Sunset. Higger Tor.

Workshops gusts shooting the sunset.

A very obliging herd of highland cattle provided great subject matter for the first group of my one day workshops.

The morning after my final workshop, I arranged to meet one the guests for a sunrise shoot on Curbar Edge. It was a beautiful crisp morning and a great way to end a week in the Peaks.

Curbar Edge

Workshop guest, and friend, Phil Drury.

I shall be doing the same again next autumn so should you be interested in attending, please contact me at rmcanis@msn.com to register your interest.

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Sunday, November 18th, 2012 Notes from the field, Workshops 11 Comments

Subscribe to mailing list

If you’d like to be among the first to hear about future wildlife and landscape photography workshops that I run, both here in the UK and abroad, then why not subscribe to my mailing list, HERE

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Tuesday, August 28th, 2012 Notices No Comments

Carpathian Summer – Part 2

After spending a couple of days in the Tatras, we headed east (a drive of some 4 hours) to the Bieszczady National Park which lies on the borders of Ukraine and Slovakia. I had often come across this place while reading about the nature of Poland but didn’t really know anything about it and, before now, had you?! It’s not as well known as the Tatras or Capathians but after spending a few days there, I have to say, hand on heart, it was my favourite region of the trip!

A sparsely populated region (5 persons per 475 km sq.), as we drove deeper and deeper into the park buildings were taken over by mountains clad in beech forest. It doesn’t have the open-mouthed “look at that” wonder that you get with the Tatras. It’s highest peak is only 1346m compared to the Polish Tatras 2499 but, what is lacks in majesty, more than makes up in wildness. As you drive past and through these dark woods you get a sense that something could and, indeed does, lurk in there! Bison, brown bear, wolf and lynx all inhabit these woods as indeed do black stork, ural owl, lesser-spotted and golden eagle.

As soon as we arrived we headed out to look at a few possible locations for sunrise/sunset images. There were a couple of viewpoints quite nearby to where we were staying and, with the possibility of a decent sunrise in the morning, our alarm clocks were set for 3.50, or should I say, dead-o-clock! When I’m working like this, I really don’t mind early rises and late finishes. On a trip like this, after a sunrise shoot, you go back to bed for a few hours, back out to do more reconnaissance and, weather permitting, out till late for sunset, and beyond.

Lesser-butterfly orchid

That evening we walked (this time with hiking sticks!) up and along a steep rocky path cutting through ancient beechwoods to reach the high mountain pastures or Poloninas.

After shooting this ridge in the evening light, we turned our attention to this “relatively” tame red deer stag. I managed to crawl down through the long grass to shoot this  contextual image.

Soon after, I noticed how the sun was rapidly setting and head for the top to get this view. As the sun dipped it just got better and better and, as the colour intensified, my card rapidly filled!

I just couldn’t drag myself away!

We made it back to the car as it got dark, spotting a toad and glow worms along the way. Marek checked the forecast for the following morning. It looked promising, so alarms were once again set. This time, however, rather than getting landscape sunrise shots we decided upon a deer safari en-route to a bridge that gave nice views of the River San. It wasn’t so important to get there at dawn since the surrounding hills and mountains shielded the light up until 30 minutes, or so, post-sunrise. With camera’s on laps, it wasn’t long before Marek spotted this roe deer in a meadow. I had just enough time to fire off a few frames before it bounded into the woodland. A great start!

A few miles further along and, once again, eagle-eyed Marek (he really is good at spotting stuff!) spotted this red deer hind crossing the river. Shortly after getting this image, her fawn followed.

Another hind crossed the road infront of us and, with that, we drove to the bridge where, for the next hour, we busied ourselves capturing the dissipating mist. At 288 miles, the River San is Poland’s 6th longest and for it’s first 35, forms the border between Poland and Ukraine.

Where there isn’t beechwood, there are meadows where the sound of corncrake and warblers fill the air. Bliss!

Later that evening we headed to a very remote area, close to the Ukrainian border to photograph a raised peat bog area called Tarnawa Wyzna. This lesser-spotted eagle perched quite close to the road which we photographed from the car and as we walked nearby, Marek spotted wolf prints.

While driving to the bog, a fox was spotted trotting along the road towards us. We stopped and photographed it as it came closer and closer until it was right next to the car then disappeared into the long grass of a neighbouring meadow. It had us all in fits of laughter. It was so unbelievable!

Protected since 1976 and part of the National Park since 1999, these bogs are on an elevation of approximately 670m. It holds some very interesting plant species including bog bilberry, cowberry, marsh labrador tea and round-leaved sundew. This is a really wild area and I absolutely loved the few hours we spent there. With hardly a soul to be seen and the rasping call of the corncrake the only sound.

The River San, forming the boundary between Poland and Ukraine which, of course, lies on the opposite side.

This is the only place in the western Bieszczady where scots pine are present.

The following morning was to be our last in Bieszczady. We had a long drive to Krakow that afternoon where we would spend the night before my departure the following morning. We explored a few places and, as the weather was overcast, it seemed appropriate to seek out waterfalls. The conditions were perfect and so we spent some time shooting this particular one.

In all, it was an amazing trip (albeit too short – I could have stayed for a month!). The incredible heights of the Tatras and remote wild nature of Bieszczady had me in awe of this beautiful country which, I am certain, will have me return time and gain.

Marek and I are currently in the process of designing photo-tours for 2013 to the regions I have mentioned. We are looking at doing a 7 day tour in the autumn of 2013, capturing the amazing autumnal colours of the Carpathians, where we will spend 2 full days in both the Tatras and Bieszczady Mountains and another, shorter one, in the Bieszczady, only, in June. This will be for landscapes and wildlife. Late spring is a marvellous time for photographing deer from a a vehicle, for example, at first light since they will be feeding in roadside meadows and would not have been disturbed by traffic which would be the case in autumn when sunrise is much later. And, as you can see, other possible encounters may include foxes and eagles, too! To register your interest in these you can do so by contacting me at rmcanis@msn.com or, alternatively, subscribing to my mailing list, HERE, where you will be among the the first to hear about upcoming workshops and tours.

Dr. Marek Kosinski is a professional nature photographer specialising in the flora and fauna of his home country, Poland, who has received awards in both the Wildlife Photographer of the Year and GDT European Wildlife Photographer of the Year competitions. A trained biologist (PhD in plant ecology), Marek held the position of lecturer and scientist for 12 years at Krakow university. He is co-author of several natural history books and has had more than 10 000 images published. Marek also runs his own photo agency www.kosinscy.pl, is represented by the Polish photo agency, Forum, and is a  member of the Polish Union of Nature Photographers. A certified tour guide, for 15 years, Marek has also guided general nature tours for various travel agencies.

I must state, that although he is a Doctor of Biology he is, in no way, “stuffy” that one might assume with having such a title! Yes, he can give you the scientific name for every European plant species but at the same time he is a damn nice fellow with a wicked sense of humour, ensuring you not only leave with fantastic images and bundles of imformation, but you have a fun time taking them, too!

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Tuesday, July 24th, 2012 Notes from the field, Workshops 2 Comments

Spring round-up

With some of the worst weather experienced in the UK for many a year, it seems an age since we had those still warm days of early spring. Here, in North Kent, it has been wet, wet, wet and windy! Not ideal conditions for plant and insect work, or for birds and mammals come to that. I have attempted to get out and shoot as and when I can as well as holding numerous workshops and sorting through 100′s of unedited images that have been lying idle on my hard drives. Here’s a round-up of my work over the last couple of months.

A sunrise workshop at Reculver was arranged at the last moment to coincide with low tide. Seven of us met in the car park at dawn and made our way down onto the beach where we photographed the sun rising against the sillhouted 13th century towers.

Reculver at sunrise

Cow parsley at sunrise

Wood sorrel. My favourite of all woodland flowers.

While shooting short-eared owls from a hide on the North Kent Marshes, this hare ran around a pond infront of me and came within 3m, sat and nibbled for a good few minutes. After which, it ran back around the pond again! It was as if it was checking me out and decided to snack when it got here!

Grey heron

The images above and below were taken on a breathless, chilly morning in April when marshland birds were noisily proclaiming territories and fighting off rivals, as was the case of the greylag geese, below.

Bluebells started to emerge in nearby woodlands and rather than wait until they were in full flower, I decided to capture an individual in bud. When they are that small and close to the ground, a nagging breeze becomes less of an issue.

Big kid, really. 41 going on 11!

It's been done a million times but that doesn't stop me from attempting this type of image, from time to time. Strange looks from passer's by as you stand there nodding with your camera pressed to your face!

A scene such as this of bluebells flowering in a beechwood lends itself perfectly to the panoramic format where a standard ratio would have included too much sky. A Nodal Ninja head was used and the five images stitched together using PtGui software.

Without such a head, which sets the camera back onto it's nodal point, close-up wide-angle images such as this are not possible due to parallax.

It was a beautiful evening and with the weather as it was, there was no way I was going to leave until I had made the most out of the opportunity. An evening such as this may not be around for another year. I was right!

A wildflowers workshop was held in rather damp conditions but, as is so often the case with photographers, they used the conditions to their advantage, shooting raindrops on grass blades and cowslips.

Nikon D300, 105mm f2.8 Micro, 5T Nikon close-up filter, iso 400, 1/20 sec. f8.

Photographed in a favourite "quiet" wood of mine, in the middle of nowhere, which lacks an essential ingredient that all nature reserves should be without. A car park!

We enjoyed a fabulous evening on my last Dungeness workshop, culminating in shooting silhouettes and me painting the boats with torchlight, well into the night.

Abandoned fishing boat on Dungeness beach

Crab spider with prey

Common twayblade. A much overlooked orchid species but when photographed in the right conditions....

My ongoing project (15 years thus far) to record the beauty of the North Kent Marshes, continues.

I spent a good few hours at a site not too far away shooting lady orchids. Aside from the usual portraits (which you simply cannot resist) I attempted to go for something a little different. Why pack up and go home, just because it gets dark?!

Nikon SB800 held off-camera. Lots of experimentation required here in terms of angle and output.

On Tuesday I’ll be joining fellow nature photographer, Marek Kosinski, in the Carpathian mountains of Southern Poland shooting all manner of subjects, the results of which I’ll be posting here.

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Sunday, June 17th, 2012 Notes from the field, Past work 6 Comments

Arundel WWT – Photographing Nature for Beginners – Places left

There are a couple of places remaining on the Photographing Nature workshop at Arundel WWT centre in West Sussex, next Thursday 14th June. The day will be a mix of classroom presentations and in-the-field photography. The price of £89 includes admission and welcome tea and coffee. During the day I will discuss those camera settings I use as a professional photographer and the techniques I employ when shooting close-ups, landscapes and wildlife. Stalking and hide techniques are also covered.

How do you expose for such a shot and what shutter speed is necessary to freeze action such as this? All will be revealed!

Photographing insects, with and without flash.

For more information and to book a place, click HERE

Should you have any questions, please feel free to get in touch with me.
Tel: 07939 117570 or at rmcanis@msn.com

Arundel is a wonderful place to practise and learn many of the skills which we will cover as there is a wealth of “tame” bird life as well as flowers and insects. The group size, as with all my workshops, has been kept small to a maximum of just 8 participants enabling me to spend as much time as you need or would like. No specialised camera equipment is required though a vague understanding of exposure, shutter speeds and apertures will be necessary.

Arundel mute swans. As you can see, they are more than happy for you to get close to them. But, how do you expose for such a light subject?

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Friday, June 8th, 2012 Notices No Comments