With autumn now past I thought I would share a few images I took over that period, in particular, during a walk around a nature reserve near Canterbury in Kent. The conditions were (as any photographer could wish for when shooting autumn colour in the woods) still, overcast and ever so slightly misty. Aside from the vegetation remaining perfectly still the soft light muted the colours and give it more of an autumn feel. The first subjects I came across were these fly agarics. Autumn came incredibly late this year and ordinarily these would have been showing at least a month earlier. As it turned out, it worked in my favour as the woodland colours were at their peak the same time as the mushrooms themselves! I have dozens of images in my library of this species but the two together were irresistible. I like to work in a methodical fashion when shooting plants, especially when encountering a new species as I then feel I have covered all the bases. I’ll start with one of two straight record shots then, possibly, a wide-angle and finally I’ll look for something unusual. An angle that had, perhaps, initially elluded me. Anyone that shoots these subjects will appreciate how time consuming it can be, especially the “gardening.” Taking out bright leaves and the like that detract from the subject.
Even though my tripod goes to ground level, it still wasn’t low enough to create the vantage point I wanted. Ordinarily I would have used a beanbag but Ididn’t have one with me on this occasion so I used what I had. Gloves, hat, filter case and a lens cap!
A little further on I came across this attractive little area of birch and bracken and spent the next while shooting a panoramic which consisted of 5 upright images stitched using PTgui software. One of the biggest problems encountered when doing this work is parallex error and unless you have a head which corrects this you will be restricted to the closest you can be be to the nearest point of focua. The one I use is made by Nodal Ninja. Beautifully engineered, lightweight and compact, it makes the whole process that much more enjoyable.
I ventured deeper into the woodland, off the beaten track, and there were pictures all around. The colours were breathtaking. The task was not as simple as I first thought, to make sense out of nature’s chaos!
The sun threatened to burn through the mist but it never did. Sometimes, it would clear marginally, but mostly it remained so.
Another panoramic. Sometimes, there is no other format that will do the scene justice. In order to gain the perspective I was after (telephoto “stacking” effect) shooting with a wide-angle then trimming the top and bottom wouldn’t have achieved this so, several upright images stitched was the only answer. Quite a simple composition yet, typically me, I still managed to make a mountain out of a mole hill and spend close to an hour taking it. It’s a good job I work alone!
The two below were taken in woodland in a nearby village. A break from the computer was in order and fortunately I live near such places. As the previous image, the panoramic format lent itself to the two scenes, especially the last one when mist becomes more pronounced the more you shoot through.
With the marshes being but a short distance away, they are never far from my mind. Such a dry autumn resulted in dry marshes and the result is there were few birds within photographable range. That doesn’t stop me from going over there however and on a morning such as this, who can blame me!