I've never been the sort of photographer to walk great distances (by that I mean over 2 miles!) taking a shot here and another there. Unless I am after a specific subject I much prefer to "work" a small area. I still shoot in the same woods, downlands and marshes that I did when I first got interested in nature (a little later, photography) almost 30 years ago. I'm a firm believer in working your local patch. By visiting a site near to home in all seasons and weathers you uncover nature's secrets. Where, at certain times of the year, you can, for example, expect to find a bee orchid, fox earth or rare fungi. By getting "under it's skin" your images, I feel, will have greater feeling and depth. This is something, almost, impossible to do on a short or occasional visit. It also means, that when the weather is exceptional or if you just have a spare hour, there is always some place for you to visit. To remain, photographically, productive.
The images, below, were taken in one of South East England's largest woodlands but all within an area no bigger than 900 m2. I could have walked and walked, looking for the finest specimens and views in which to capture autumn. Instead, for several days during October and November, I remained in a very compact area, often scrambling around on all fours or laying on damp leaf litter, searching for tiny mushrooms which, ultimately, gave me focus. More often than not I would, simply, just be led by the light.
I was taken by the relationship of the miniature with the gigantic. How the mature beech and minute fungi are as important as one another for their survival. With this in mind, I strove towards illustrating that as best I could.
With my reluctance to leave this wonderful place and with darkness closing in, I turned to using a flash-unit to illuminate spore release from a common puffball.
I must admit, I'm a little reluctant to give all the technical data for each image as I think we, so often, get so bogged down with the technicalities that we lose sight of the image we are trying to take. Yes, it's important to know your f-stops and shutter speeds, differential focusing and depth of field and, given the time, all these things can be learnt. Spending time in the field and in all kinds of conditions is the best way to become farmiliar with your camera and, most important of all, to develop your "eye."
But, in order to satisfy your curiosity, I used a nikon D300, 12-24, 28-105, 105 micro and 200mm. Occasionally, I would use extension tubes or a 2-element close-up filter and when working at ground level, a right-angle viewfinder. A Manfrotto carbon fibre 055 tripod was used much of the time with a Markins head and when I needed to get lower still, a small beanbag was employed.
