Denge Sound Mirrors

In conjunction with the RSPB, I am excited to be offering this unique half-day photography workshop photographing the Denge Sound Mirrors.  

Nestled on a private island, accessible, only, by a secure swing bridge, lie three relics of a pre-World War II aerial defence system. Also, known as Listening Ears, Concrete Dishes and Acoustic Mirrors, these huge concrete structures  - ranging in size from 20 to 200 feet - were built between 1928 and 1935 as part of Britain's national defence strategy as a means of detecting enemy aircraft long before it was visible. 

The Denge Sound Mirrors worked by using their curved surface to concentrate sound waves and focus them onto a microphone or a human listener equipped with then state-of-the-art stethoscopes. Once the receivers were adjusted for best reception, the results would be compared with those from one of the other ‘ears’ and used to calculate an aircraft’s height, speed, and flight path. 

This is the only location where all three designs can be seen together

Special opportunity for a limited period

In order to secure this workshop, special permission has been granted from the RSPB. This area is particularly important for its breeding bird population so it can only take place during the winter. This is a very special opportunity to obtain some truly unique photographs of these incredible structures where, other than our workshop group, no other members of the public will be present.     

RSPB contribution: A not insignificant percentage will go to the RSPB so not only will you have a great day out photographing but you will also be contributing to the conservation of our feathered friends!  

NEW: Pre-workshop 'ideas' and editing tutorial

Appreciating that, for some, such a location can be a little daunting, I thought it would be helpful if, prior to the day, everyone received a pre-recorded 'ideas' and editing tutorial where I give my thoughts and suggestions on photographing the Sound Mirrors and eventual post-processing. Such aspects will include long exposure, aspect ratios, filtration, B&W conversions, Masks and Graduated filters.

Upon reaching the mirrors, to refresh, I'll briefly reiterate what has been said on the recorded turoial such as compositional recommendations and advise on exposure and filtration. Given the relatively small area and in order to avoid being in each other's way, the group will be split in two between the mirrors and wall. After a while, you will be swapped around thereby giving everyone equal opportunity. 

With their hard, gritty appearance, such imposing features make for wonderful brutalist-esque images. Wide-angle lenses work fantastically well in exaggerating their curved surfaces. 

While ND filters, accentuate their bold outlines and 'stillness' within the landscape.

There are, as you can see, countless possibilities. 

Finally…

Thank you very much indeed for considering this workshop and should you have any questions - however small or insignificant you think they might be - then do drop me a line. I’m here to help and provide you with a wonderful fun day of inspirational photography in the company of like-minded enthusiasts.