One-to-One: An Introduction to Black and White Film Photography

Booking: Bookings are now closed for this ongoing or past event.

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Have or are you thinking about purchasing a film camera and exploring the fascinating world of black-and-white film photography? Perhaps you want to get back to basics and are tired of the instant gratification of digital and the modern world as a whole. On this film photography workshop, I will gently guide you through the process of producing meaningful photographs using this very special medium.
Date: Fri 1st Nov 2024
Time: 10:00 - 17:00
Price: £445.00
Deposit: £100.00
Group size: 1
Tutor / Guide: Robert Canis
Location: Kent
Duration: 7 hours
Classification: Workshop
Cost includes: Use of my Hasselblad and transport throughout.
Cost excludes: To and from the meeting point and lunch. However, providing you can get yourself to Sittingbourne train station (it's on the mainline from London), I would be more than happy to pick you up and take you back again.
Fitness level: Very low.
Equipment needed: If you already own a film camera and would prefer to use that instead of my Hasselblad then of course you are very welcome to do.
Additional info:

Don't own a car or would prefer a lift? 
Providing you can get yourself to Sittingbourne train station (it's on the mainline from London), I would be more than happy to pick you up and take you back again.   

Booking: Bookings are now closed for this ongoing or past event.

If you would like to hear first about future events, including early access to NEW workshops, click here to subscribe to Robert's monthly newsletter.

Have or are you thinking about purchasing a film camera and exploring the fascinating world of black-and-white film photography? Perhaps you want to get back to basics and are tired of the instant gratification of digital and the modern world as a whole. On this film photography workshop, I will gently guide you through the process of producing meaningful photographs using this very special medium. It’s time to slow down and take time over your composition, to calculate the exposure, manually, and, in order to control contrast, possibly implement the use of coloured filters. All this, and more, will be covered while visiting a number of inspiring locations in my home county of Kent.

“It’s difficult to put into words, but with analogue, there is a certain aesthetic, a feel that you simply cannot replicate with digital”

NEED A LIFT?
Providing you can get yourself to Sittingbourne train station (it's on the mainline from London), I would be more than happy to pick you up and take you back again.   

DON'T OWN A FILM CAMERA?
I've got this covered! You'll be using my beloved medium format Hasselblad 501cm. You’ll learn how to change film backs and load roll film, and with a range of lenses from wide-angle to telephoto, coloured filters, a hand-held spot meter and a tripod, you'll want for nothing!

ZONE SYSTEM
Developed by the legendary photographer, Ansel Adams, as a means of arriving at the optimum exposure through taking precise readings from different areas of the scene, it's actually pretty straightforward and something we will be discussing and using throughout the day. In fact, I use it every time I take a photograph, and following this workshop, you will no longer see the world as light and shade but as tonal values.

A LITTLE BACKGROUND
My love of black-and-white film photography began more than 35 years ago when, as an enthusiastic teenager, I would develop and print my own photographs. Upon leaving Paddington College School of Photography, I worked both as an assistant to a local photographer and as a black and white hand printer. But then, in the late 90s, along came digital, and the film cameras were put into retirement. I vowed never to return to its ‘inconveniences.’ Little did I know that some 20 years later, as a consequence of reassessing the direction of my photography and the desire to slow down and have 'separation' from my professional and wildlife work, I would be throwing myself back into the world of analogue photography! Since then, I have made more than 3000 photographs and developed and scanned dozens of rolls of film. I have loved every single moment and always get excited before heading out with my film camera!

"I feel that now is the perfect time to pass on my knowledge, experience, enthusiasm and love of black-and-white film photography to you!"     

Workshop info

Thank you for dropping by and considering attending a workshop. I love nothing more than to pass on to others the knowledge I have gained over the last 30 years as a professional photographer and 15 as a workshop and tour leader. My group sizes are always small ensuring a fun and friendly group dynamic, lots of 'personal space' in which to photograph without too much fear of others getting in your way and as much tuition as you would like or feel that you need. I hope you can join me!

Although under the 'umbrella' of Workshops, please note there is a difference between the three types that I offer. To avoid any confusion, please see below.

Workshops

Those taking place in the UK are classed as Workshops where learning is the primary aim, and in the case of those which are multi-day residential, very often include image critique and post-processing sessions.

Tours

Overseas trips are classed as Tours where the logistics are all taken care of and where the emphasis is on getting you to great locations at the best time of the day. Since these may include hide photography and working in cold, windy conditions where one-on-one tuition isn't practical, these are less hands-on. However, prior to the hide session or upon arriving at a location, I will give advice and suggestions on composition, lens selection and exposure.

Creative Visions

Creative Visions is a new concept that I have designed to specifically nurture your artistic growth. They can take place in either the UK or abroad combining both workshop and tour principles. There will be critique and post-processing tutorials and, most importantly, you will be encouraged to go beyond the record and representational and instead produce more intimate creative interpretations.

FREE EBOOK

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